It was meant as a gesture in support of Indigenous women. A one of a kind design by an Indigenous artist known for her bold, provocative imagery. But when it comes to her latest work, it’s not what her art shows that’s sparked strife so much as where it’s shown—wrapped around a cold can of beer. Cue the beer can backlash, with some slamming the artist for supposedly glorifying or at least trivializing a substance many blame for violence against and among Indigenous people. This week, the first half of an extended conversation with Chippewa/Potawatomi artist Chief Lady Bird to learn more about the origins of her collaboration with the brewery, the outrage it tapped into, and why this topic can be so touchy to talk about—for us included.

Also joining host/producer Rick Harp: MI regulars Kim TallBear, associate professor in the Faculty of Native Studies at the University of Alberta and Canada Research Chair in Indigenous Peoples, Technoscience & Environment, and Candis Callison, Associate Professor in the Institute for Critical Indigenous Studies and the Graduate School of Journalism at UBC.

// CREDITS: Our theme is ‘nesting’ by birocratic.

Canine colonial. Is it apt to draw parallels between the worst ills of mainstream child welfare systems and those of animal welfare? It’s the potentially provocative thesis of the Vancouver Humane Society, a thesis they soon hope to put into practice.

Joining host/producer Rick Harp for a decolonial discussion on dogs on and off the rez are MI regulars Ken Williams, assistant professor with the University of Alberta’s department of drama, and Kim TallBear, associate professor in the Faculty of Native Studies at the University of Alberta and Canada Research Chair in Indigenous Peoples, Technoscience & Environment.

// CREDITS: Episode edited by Stephanie Wood. Our theme is 'nesting' by birocratic.